diff --git a/domains/entertainment/youtube-first-distribution-for-major-studio-coproductions-signals-platform-primacy-over-traditional-broadcast-windowing.md b/domains/entertainment/youtube-first-distribution-for-major-studio-coproductions-signals-platform-primacy-over-traditional-broadcast-windowing.md
index 1bbebeb59..8767e7267 100644
--- a/domains/entertainment/youtube-first-distribution-for-major-studio-coproductions-signals-platform-primacy-over-traditional-broadcast-windowing.md
+++ b/domains/entertainment/youtube-first-distribution-for-major-studio-coproductions-signals-platform-primacy-over-traditional-broadcast-windowing.md
@@ -31,13 +31,13 @@ This is one data point from one studio. The claim is experimental because it's b
 
 
 ### Additional Evidence (extend)
-*Source: [[2025-06-02-kidscreen-mediawan-claynosaurz-animated-series]] | Added: 2026-03-15*
+*Source: 2025-06-02-kidscreen-mediawan-claynosaurz-animated-series | Added: 2026-03-15*
 
 The Claynosaurz-Mediawan co-production will launch on YouTube first, then sell to TV and streaming buyers. This inverts the traditional risk model: YouTube launch proves audience metrics before traditional buyers commit, using the community's existing social reach (~1B views) as a guaranteed launch audience. Mediawan brings professional production quality while the community provides distribution validation, creating a new risk-sharing structure where platform distribution precedes rather than follows traditional media deals.
 
 
 ### Additional Evidence (extend)
-*Source: [[2025-02-01-deadline-pudgy-penguins-youtube-series]] | Added: 2026-03-16*
+*Source: 2025-02-01-deadline-pudgy-penguins-youtube-series | Added: 2026-03-16*
 
 Pudgy Penguins chose to launch Lil Pudgys on its own YouTube channel (13K subscribers) rather than leveraging TheSoul Publishing's 2B+ follower distribution network. This extends the claim by showing that YouTube-first distribution can mean building a DEDICATED brand channel rather than parasitizing existing platform reach. The decision prioritizes brand ownership over reach maximization, suggesting YouTube-first is not just about platform primacy but about audience ownership architecture.