diff --git a/domains/entertainment/creator-owned-streaming-infrastructure-has-reached-commercial-scale-with-430M-annual-creator-revenue-across-13M-subscribers.md b/domains/entertainment/creator-owned-streaming-infrastructure-has-reached-commercial-scale-with-430M-annual-creator-revenue-across-13M-subscribers.md
index 7427afa2..69312511 100644
--- a/domains/entertainment/creator-owned-streaming-infrastructure-has-reached-commercial-scale-with-430M-annual-creator-revenue-across-13M-subscribers.md
+++ b/domains/entertainment/creator-owned-streaming-infrastructure-has-reached-commercial-scale-with-430M-annual-creator-revenue-across-13M-subscribers.md
@@ -68,6 +68,16 @@ Dropout specifically contributes $30M+ ARR to the indie streaming category total
 
 Dropout crossed 1 million subscribers in October 2025 with 31% year-over-year growth, representing a major indie streaming platform reaching seven-figure subscriber scale. This adds to the evidence that creator-owned streaming is commercially viable at scale.
 
+
+### Auto-enrichment (near-duplicate conversion, similarity=1.00)
+*Source: PR #1435 — "creator owned streaming infrastructure has reached commercial scale with 430m annual creator revenue across 13m subscribers"*
+*Auto-converted by substantive fixer. Review: revert if this evidence doesn't belong here.*
+
+### Additional Evidence (confirm)
+*Source: [[2024-00-00-markrmason-dropout-streaming-model-community-economics]] | Added: 2026-03-19*
+
+Dropout's $30M+ ARR as a single indie streaming platform provides a concrete data point for the aggregate creator-owned streaming revenue. The platform demonstrates that niche content (TTRPG actual play, game shows) can sustain profitable streaming operations at scale without mass-market positioning.
+
 ---
 
 Relevant Notes: