diff --git a/domains/entertainment/gen-z-revealed-preference-for-original-civilizational-sci-fi-over-franchise-sequels-confirms-meaning-crisis-design-window.md b/domains/entertainment/gen-z-revealed-preference-for-original-civilizational-sci-fi-over-franchise-sequels-confirms-meaning-crisis-design-window.md
index 786692bd2..525cc5ff1 100644
--- a/domains/entertainment/gen-z-revealed-preference-for-original-civilizational-sci-fi-over-franchise-sequels-confirms-meaning-crisis-design-window.md
+++ b/domains/entertainment/gen-z-revealed-preference-for-original-civilizational-sci-fi-over-franchise-sequels-confirms-meaning-crisis-design-window.md
@@ -24,3 +24,10 @@ Project Hail Mary achieved $616M worldwide box office with 55% of its opening we
 **Source:** Megalopolis $4M opening weekend, D+ CinemaScore vs Oppenheimer/Project Hail Mary A/A- scores
 
 Megalopolis demonstrates the execution threshold for civilizational sci-fi: audiences bought 2.4M opening weekend tickets (showing concept acceptance) but gave D+ CinemaScore (showing execution rejection). The film was explicitly about civilizational renewal and utopia-building — the concept drew audiences, poor execution killed word-of-mouth. This contrasts with Oppenheimer (A CinemaScore) and Project Hail Mary, suggesting civilizational sci-fi commercial success is execution-gated not concept-gated.
+
+
+## Extending Evidence
+
+**Source:** Variety/Box Office Mojo, Elio box office analysis 2025
+
+Elio (2025) provides scope boundary for earnest civilizational sci-fi commercial viability: animated family format underperformed ($154M worldwide on $150-200M budget) despite CinemaScore 'A' and 84% RT, but failure mechanism was Pixar brand fatigue and theatrical-to-streaming training among family audiences, not concept rejection. The CinemaScore A + worst Pixar opening paradox shows animated earnest sci-fi has no demand generation problem with audiences who see it, but faces theatrical-discovery problems specific to Pixar originals post-COVID. This suggests the earnest civilizational sci-fi design window is stronger for live-action adult formats (Project Hail Mary) than animated family formats where distribution dynamics dominate.
diff --git a/entities/entertainment/elio-film.md b/entities/entertainment/elio-film.md
new file mode 100644
index 000000000..bb45d8823
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+++ b/entities/entertainment/elio-film.md
@@ -0,0 +1,48 @@
+# Elio (2025)
+
+**Type:** Animated feature film  
+**Studio:** Pixar Animation Studios / Walt Disney Pictures  
+**Release:** June 2025  
+**Genre:** Sci-fi, family, animated  
+**Concept:** Lonely boy accidentally becomes Earth's ambassador to an alien council
+
+## Performance
+
+**Box Office:**
+- Opening weekend: $21M domestic, $35M global (Pixar's worst opening in 30-year history)
+- Total worldwide: ~$154M ($57.6M domestic)
+- Budget: $150-200M production + marketing
+- Result: Commercial failure, never approached profitability
+
+**Critical Reception:**
+- Rotten Tomatoes: 84-85%
+- CinemaScore: A
+- Notable disconnect: audiences who saw it loved it, but theatrical demand was weak
+
+## Production
+
+**Creative Team:**
+- Director: Adrian Molina (replaced original directors during production)
+- Producer: Domee Shi (joined during production)
+- Production complications: director changes, delays that pushed release date
+
+## Context
+
+**Market Position:**
+- Part of pattern of Pixar original underperformance post-COVID (Turning Red, Lightyear, Elemental)
+- Audiences trained to wait for Disney+ rather than theatrical
+- "Pixar fatigue on originals" narrative established in trades
+
+**Thematic Elements:**
+- Earnest, optimistic tone
+- Civilizational first contact narrative
+- Hopeful representation of humanity
+
+## Analysis
+
+Elio represents a case study in distribution/brand failure rather than concept failure. The CinemaScore A combined with worst-ever Pixar opening suggests the film succeeded with audiences who saw it but failed at demand generation. The underperformance is attributed to Pixar brand fatigue with originals and streaming-trained family audiences, not rejection of earnest optimistic sci-fi concepts.
+
+## Timeline
+
+- **2025-06** — Theatrical release, $21M opening weekend (Pixar's worst opening ever)
+- **2025-06-23** — Variety reports total worldwide gross ~$154M, confirming commercial failure despite CinemaScore A
\ No newline at end of file
diff --git a/inbox/queue/2026-05-04-variety-pixar-elio-worst-opening-animated-earnest-scifi.md b/inbox/archive/entertainment/2026-05-04-variety-pixar-elio-worst-opening-animated-earnest-scifi.md
similarity index 97%
rename from inbox/queue/2026-05-04-variety-pixar-elio-worst-opening-animated-earnest-scifi.md
rename to inbox/archive/entertainment/2026-05-04-variety-pixar-elio-worst-opening-animated-earnest-scifi.md
index 9706ed84b..a1ee35317 100644
--- a/inbox/queue/2026-05-04-variety-pixar-elio-worst-opening-animated-earnest-scifi.md
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@@ -7,10 +7,13 @@ date: 2025-06-23
 domain: entertainment
 secondary_domains: []
 format: article
-status: unprocessed
+status: processed
+processed_by: clay
+processed_date: 2026-05-04
 priority: medium
 tags: [box-office, Pixar, Elio, animated, sci-fi, family, underperformance, Disney, earnest-storytelling]
 intake_tier: research-task
+extraction_model: "anthropic/claude-sonnet-4.5"
 ---
 
 ## Content